How many stories can one image tell? Find out with me and three other wonderful writers.
So happy to be back working with the lovely Karen Pierce Gonzalez of FolkHeart Press, this time in Ekphrastic Folk Art, Season 2.
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There are times when it doesn't make sense to move forward, and all we need to do is stay in place and enjoy the moment. I've been to this cliffside many times before, but this was the first time we made a deliberate attempt to stay and enjoy it.
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Sacred Grounds is the longest running open mic in San Francisco and I was thrilled to have the opportunity to be a featured reader.
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My debut poetry chapbook “Shiftings & Other Coordinates of Disorder” got its very first review! Very grateful to the wonderful Karen Pierce Gonzalez for her careful reading and rumination about this collection.
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Filmed in the desert outskirts of Las Vegas, this is my first out-of-country shoot (totally unintentional, but I couldn’t resist the scenery).
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This is just a quick post. More of a note, really, but one of the reasons for this blog is to document my writing journey for myself. And I don’t want to forget this little tidbit.
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Those who've followed my short poetry film journey know that it all began with a little series called "Compostable Morsels". This poem, "blackberries", was written long after the series was released.
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When I choose which poems to make into films, I usually prefer for them to be previously unpublished (don’t get me started on the intricacies of first serial rights). However, “Lactic Acid” is one of those special ones that I felt belonged online, film, and even in print.
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This was probably the first time that I went to Vancouver hoping for rain. A lot of rain.
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